Archives: Press Reviews

‘The book can engross anyone for hours, and those who wish to better understand and establish a connect with the soul of Ladakh and Spiti are in for a special treat.’

‘In Mahendra Singh’s hands, Ladakh and Spiti come alive with breath-taking pictures and an engaging text studded with succinctly handled information and interesting little titbits from the past. This is a book that really makes one wonder how much the study of the world around us can be elevated by texts like this one, texts that blur the lines of genre and introduce places to

For 776 years, the Dungarpur state was ruled without a break by a single family, despite all the countless invasions and incursions of the time. That’s eight centuries and definitely a very long inning. Precisely what piqued my curiosity with this book. Very few princely states in pre-independence India or elsewhere in the world have such a record! Descendants of the Sisodia’s of Udaipur, the

Using Indian cricket as the spine, Amrish Kumar tells a coming-of-age story in his book  Gods of Willow. The tale draws an arc from Hyderabad to Mumbai with the protagonist Kabir Menon going through a series of life-alterations. Through him, we observe India of the 1990s and early 2000s.The sweeping gaze takes in all, be it politics, cricket, media, communalism and then juxtaposes it with personal

‘Vinay Lal’s wonderful history reminds us forcefully how much the political ideas and ideals of nationalism were conveyed by images rather than words— by the visceral persuasion of visuality. This book offers a comprehensive analysis of the visions of destitution, oppression, defiance, sacrifice and freedom out of which the vast emotions of Indian nationalism were forged.’

‘Vinay Lal is a rare historian who imagines and creates an archive of his own. Insurgency and the Artist exemplifies this. It is a document of immense beauty that draws one to think of freedom in and through images.’

‘In this learned and fascinating study, Professor Lal brings to life India’s struggle for freedom from British rule by subtly knitting together, through images, in its different forms, and graphic word, India’s passage to independence … From it we learn progressively that it is not only the militant agitator who becomes an agent of social and political change, but the militant artist as well.’

‘He loved to quote Don Bradman, who when asked in a television interview late in life about what he would like to remembered for had replied: integrity. That is something Bishan will always be remembered for too – integrity.’

‘Besides being a gentlemanly cricketer, Bedi was a terrific competitor. A forthright man, he was not diplomatic, he could be choleric.’

‘Bishan Singh always had a cricketing point to drive home, it was wonderful to have had so many conversations about the game with him.’